Experimental Film making and Punk: Feminist Audio Visual Culture in the the 1970s and 1980s
Bloomsbury Press, 2021.
Dwoskino: The Gaze of Stephen Dwoskin (eds Garfield/Miller),
Lux publication, January 2022
‘Between Seeing and Knowing: Stephen Dwoskin’s Behindert and the Camera’s Caress’, Other Cinemas: Politics, Culture and British Experimental Film in the 1970s (edited by Sue Clayton and Laura Mulvey) IB Taurus, London and New York, pp 235-245, 2017
Prescient Intersectionality: Women, Film: Moving Image and Identity Politics, in 1980s Britain, Women Artists, Feminism and the Moving Image: Contexts and Practices, ed. Lucy Reynolds
Bloomsbury, 2019, pp 99-113
Co- editor, Screen Dossier: Stephen Dwoskin, Spring 2016 (co-editor Alison Butler), Oxford University Press, 2016
From The Evacuees to Grandma’s House: Class and Jewish Identity on British Television, chapter anthology, in Nathan Abrams (ed.), The Hidden Presence of Jews in British Film and Television,pp. 130-148, 2016
Maximalism as a Cosmopolitan Strategy in the Art of Ruth Novaczek and Doug Fishbone, in Jews on the Move: Modern Cosmopolitan Thought and Its Others, eds Sander Gilman, Cathy Gelbin, Routledge, pp 193-210, 2018
Playing with history:Negotiating subjectivity in contemporary lens based art, chapter anthology, in Routledge Handbook of Contemporary Jewish Cultures, Nadia Valman, Laurence Roth eds. pp. 320- 339, Routledge NY, 2015
Rocket to the Moon, review of Kutlug Ataman film for the publication Art Monthly, No 334, March 2010, P33, ISSN 01426702.
A Particular Incoherence: Some Works of Vivienne Dick, in Between Truth and Fiction, The Films of Vivienne Dick, ed. Treasa O’Brian, Crawford Art Centre/LUX publication, 2009, pp. 36-53
Questioning Perceptions of Jewish Identity in the work of Ary Stillman, in Ary Stillman: From Impressionism to Abstract Expressionism, (ed) James Wechsler, chapter monograph, Wechsler, James (ed), Merrell, NY, 2008, pp149 – 163, ISBN 9781858944333
Negotiating the British Landscape, Anwar Jalal Shemza, ed Iftikhar Dadi, Ridinghouse, London, pp.19-25, 2015
‘Valences of Subjectivity: The Politics of Personal Narrative in Video Art’, Art and The Politics of Visibility, (edited by Zeena Feldman) IB Taurus, London and New York, pp. 137-166, 2017
Commissioned non peer review journals and art publications
Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown, MIRAJ, Issue 9.2 ‘Artists’ Moving Image, Isolation and Covid-19’, Volume 9, Number 2, 1 September 2021, pp. 270-275
Maximalism as a Cosmopolitan Strategy in the Art of Ruth Novaczek and Doug Fishbone, special edition Jews on the Move, eds Sander Gilman, Cathy Gelbin European Review of History, 23, Issue. 5-6, pp. 961-977, Routledge, 2016
Deflationary Tactics with the Archive of Life: Contemporary Jewish Art and Popular Culture, Journal of Modern Jewish Studies, ed. Joachim Schloer, http://dx.doi.org/10.1080/14725886.2016.1242313m, Taylor & Francis, Oct 17 2016
Imagining Multicultural London: Containment and Excess in Snatch, European Judaism, Vol 47, No. 2, (Autumn 2014), eds. Sue Vice & Axel Staehler, Berghahn Journals pp 60-68
(REF output 4. 2013) Garfield, Rachel, “Parallel Editing, Multi-Positionality And Maximalism: Cosmopolitan Effects As Explored In Some Art Works By Melanie Jackson And Vivienne Dick”, Bertold Schoene & Eleanor Byrne Special inaugural issue of peer review Journal, Open Art Journal. 2013 (OU publications), http://openartsjournal.org/, pp. 46-59,
A special insert in Postcolonial studies, Rachel Garfield co-editor with Bernadette Buckley (Goldsmiths) and John Reardon (Goldsmiths), 13 no. 2, June 2010 (I provided three out of the four items of content).
Rachel Garfield in conversation with Raimi Gbadamosi and Anca Pusca, Postcolonial studies, 13 no. 2, June 2010, pp. 133-145
Articulating a Position Through Research; The Practice Led PhD, A case Study, Journal of Media Practice, Autumn 2007, Vol 8.2, pp.221-234.
(REF output 2008) Garfield, Rachel, Third Text, “Towards a Re-articulation of Cultural Identity: Problematising the Jewish Subject in Art”, Volume 20, issue 1, January 2006, pp. 99-108
(REF output 2008) Garfield, Rachel, Third Text, ‘Ali G: Just Who Does He Think He Is’, vol. 54, Spring 2001, pp.63-70,
Ali G: A Response To Ali Nobel Ahmad, Third Text, 57, Autumn 2001, pp. 87-89
“Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown”, MIRAJ, Issue 9.2 ‘Artists’ Moving Image, Isolation and Covid-19’, Volume 9, Number 2, 1 September 2021, pp. 270-275
“Maximalism as a Cosmopolitan Strategy in the Art of Ruth Novaczek and Doug Fishbone”, special edition Jews on the Move, eds Sander Gilman, Cathy Gelbin European Review of History, 23, Issue. 5-6, pp. 961-977, Routledge, 2016
“Deflationary Tactics with the Archive of Life: Contemporary Jewish Art and Popular Culture”, Journal of Modern Jewish Studies, ed. Joachim Schloer, http://dx.doi.org/10.1080/14725886.2016.1242313m, Taylor & Francis, Oct 17 2016
“Imagining Multicultural London: Containment and Excess in Snatch“, European Judaism, Vol 47, No. 2, (Autumn 2014), eds. Sue Vice & Axel Staehler, Berghahn Journals pp 60-68
(REF output 4. 2013) Garfield, Rachel, “Parallel Editing, Multi-Positionality And Maximalism: Cosmopolitan Effects As Explored In Some Art Works By Melanie Jackson And Vivienne Dick”, Bertold Schoene & Eleanor Byrne Special inaugural issue of peer review Journal, Open Art Journal. 2013 (OU publications), http://openartsjournal.org/, pp. 46-59,
A special insert in Postcolonial studies, Rachel Garfield co-editor with Bernadette Buckley (Goldsmiths) and John Reardon (Goldsmiths), 13 no. 2, June 2010 (I provided three out of the four items of content).
“Rachel Garfield in conversation with Raimi Gbadamosi and Anca Pusca”, Postcolonial studies, 13 no. 2, June 2010, pp. 133-145
“Articulating a Position Through Research; The Practice Led PhD, A case Study” Journal of Media Practice, Autumn 2007, Vol 8.2, pp.221-234.
(REF output 2008) Garfield, Rachel, Third Text, “Towards a Re-articulation of Cultural Identity: Problematising the Jewish Subject in Art”, Volume 20, issue 1, January 2006, pp. 99-108
(REF output 2008) Garfield, Rachel, Third Text, ‘Ali G: Just Who Does He Think He Is’, vol. 54, Spring 2001, pp.63-70,
Third Text, “Ali G: A Response To Ali Nobel Ahmad’” 57, Autumn 2001, pp. 87-89
Peer Reviewed Journal Articles
https://www.jewthink.org/2020/12/09/sex-and-feminist-jewish-art/ December 2020
Jewthink.org blog https://www.jewthink.org/2020/07/29/jewish-art-where-are-you/
In the Leak of Time: Anne Robinson, catalogue essay published for solo exhibition at APT Gallery, November 9th – 18th 2018
Anwar Jalal Shemza, Take 2: The British Landscape, Green Cardamom, pp. 1-4, Sept. 2010, published by Green Cardamom
Rocket to the Moon, review of Kutlug Ataman review of film in leading UK art magazine for Art Monthly, No 334, March 2010, P. 33
Text on Deniz Soezen, Exiled Ink, Issue 13, Summer 2010, pp. 6-8
Transmission Annual (eds.) Michael Corris, Sharon Kivland, Jasper Joseph-Lester, The Strangers, Artwords Press, 2010, pp. 162-173, (art work), review, ‘Modern Art Culture’ Francis Frascina (ed.), Routledge’, Art Monthly, p. 33
In Our World: New Photography in Britain text on Lucy Levine (ed.) Phillipo Maggia, Skira Photopraphy Italy, 2008, p 72,
Radical Uncertainty and Elegaic Practices, catalogue chapter, Aftershock: Conflict and Resolution in Contemporary Art,Sainsbury Centre for Visual Arts, catalogue essay, 2007, pp. 87-89
Avinash Chandra: A Reappraisal, catalogue essay for Chandra exhibition at Osbourne Samuel Fine Art, 2006, pp. 6-12
Future Forecast/Curated Spaces: Artists Strategies and Intervention, commissioned contributor to publication, ed. Manick Govinda, a-n The Artists Information Company, 2006
Working Through Theory: The Impact Of PhD Research On Art, GaAxis Dialogue: new writing online, Issue 2 April – June 2006,
In Place of Paralysis, with Timberlake John [50:50], Out of Conflict: Catherine Elwes and Cornford and Cross, Artsway publications, artists catalogue, 2004, pp. 40-46
Out-Of-Place; Elia Alba and Cynthia Grieg, Catalogue essay, Focal Point Gallery, University of Hertfordshire Galleries Publication, 2003, pp.2-6
Oreet Ashery: Transgressing the Sacred, in CD Rom: Alter Ego as catalogue for exhibition, curated by Wibke Behrens, 2002
The Women’s Press Diary 2002, five art pieces from the series ‘What Am I To You’, published in the diary, Women’s Press, 2002.
Oreet Ashery: Transgressing the Sacred, The Jewish Quarterly, ‘, No. 186, pp. 11-13
Ali G: Just Who Does He Think He Is, The Jewish Quarterly, winter 2000, Number 180, pp.69-72
Interview with ‘City Racing’, everything magazine, , vol. 3 (4), pp. 2-8
See Marx for Details, book review, everything magazine, vol. 3 D, p. 54
Commissioned non peer review journals and art publications
“Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown”, MIRAJ, Issue 9.2 ‘Artists’ Moving Image, Isolation and Covid-19’, Volume 9, Number 2, 1 September 2021, pp. 270-275
“Maximalism as a Cosmopolitan Strategy in the Art of Ruth Novaczek and Doug Fishbone”, special edition Jews on the Move, eds Sander Gilman, Cathy Gelbin European Review of History, 23, Issue. 5-6, pp. 961-977, Routledge, 2016
“Deflationary Tactics with the Archive of Life: Contemporary Jewish Art and Popular Culture”, Journal of Modern Jewish Studies, ed. Joachim Schloer, http://dx.doi.org/10.1080/14725886.2016.1242313m, Taylor & Francis, Oct 17 2016
“Imagining Multicultural London: Containment and Excess in Snatch“, European Judaism, Vol 47, No. 2, (Autumn 2014), eds. Sue Vice & Axel Staehler, Berghahn Journals pp 60-68
(REF output 4. 2013) Garfield, Rachel, “Parallel Editing, Multi-Positionality And Maximalism: Cosmopolitan Effects As Explored In Some Art Works By Melanie Jackson And Vivienne Dick”, Bertold Schoene & Eleanor Byrne Special inaugural issue of peer review Journal, Open Art Journal. 2013 (OU publications), http://openartsjournal.org/, pp. 46-59,
A special insert in Postcolonial studies, Rachel Garfield co-editor with Bernadette Buckley (Goldsmiths) and John Reardon (Goldsmiths), 13 no. 2, June 2010 (I provided three out of the four items of content).
“Rachel Garfield in conversation with Raimi Gbadamosi and Anca Pusca”, Postcolonial studies, 13 no. 2, June 2010, pp. 133-145
“Articulating a Position Through Research; The Practice Led PhD, A case Study” Journal of Media Practice, Autumn 2007, Vol 8.2, pp.221-234.
(REF output 2008) Garfield, Rachel, Third Text, “Towards a Re-articulation of Cultural Identity: Problematising the Jewish Subject in Art”, Volume 20, issue 1, January 2006, pp. 99-108
(REF output 2008) Garfield, Rachel, Third Text, ‘Ali G: Just Who Does He Think He Is’, vol. 54, Spring 2001, pp.63-70,
Third Text, “Ali G: A Response To Ali Nobel Ahmad’” 57, Autumn 2001, pp. 87-89
“Peggy Ahwesh, Steve McQueen and Russell T Davis: reflections on the 1980s under lockdown”, MIRAJ, Issue 9.2 ‘Artists’ Moving Image, Isolation and Covid-19’, Volume 9, Number 2, 1 September 2021, pp. 270-275
“Maximalism as a Cosmopolitan Strategy in the Art of Ruth Novaczek and Doug Fishbone”, special edition Jews on the Move, eds Sander Gilman, Cathy Gelbin European Review of History, 23, Issue. 5-6, pp. 961-977, Routledge, 2016
“Deflationary Tactics with the Archive of Life: Contemporary Jewish Art and Popular Culture”, Journal of Modern Jewish Studies, ed. Joachim Schloer, http://dx.doi.org/10.1080/14725886.2016.1242313m, Taylor & Francis, Oct 17 2016
“Imagining Multicultural London: Containment and Excess in Snatch“, European Judaism, Vol 47, No. 2, (Autumn 2014), eds. Sue Vice & Axel Staehler, Berghahn Journals pp 60-68
(REF output 4. 2013) Garfield, Rachel, “Parallel Editing, Multi-Positionality And Maximalism: Cosmopolitan Effects As Explored In Some Art Works By Melanie Jackson And Vivienne Dick”, Bertold Schoene & Eleanor Byrne Special inaugural issue of peer review Journal, Open Art Journal. 2013 (OU publications), http://openartsjournal.org/, pp. 46-59,
A special insert in Postcolonial studies, Rachel Garfield co-editor with Bernadette Buckley (Goldsmiths) and John Reardon (Goldsmiths), 13 no. 2, June 2010 (I provided three out of the four items of content).
“Rachel Garfield in conversation with Raimi Gbadamosi and Anca Pusca”, Postcolonial studies, 13 no. 2, June 2010, pp. 133-145
“Articulating a Position Through Research; The Practice Led PhD, A case Study” Journal of Media Practice, Autumn 2007, Vol 8.2, pp.221-234.
(REF output 2008) Garfield, Rachel, Third Text, “Towards a Re-articulation of Cultural Identity: Problematising the Jewish Subject in Art”, Volume 20, issue 1, January 2006, pp. 99-108
(REF output 2008) Garfield, Rachel, Third Text, ‘Ali G: Just Who Does He Think He Is’, vol. 54, Spring 2001, pp.63-70,
Third Text, “Ali G: A Response To Ali Nobel Ahmad’” 57, Autumn 2001, pp. 87-89
Peer Reviewed Journal Articles
https://www.jewthink.org/2020/12/09/sex-and-feminist-jewish-art/ December 2020
Jewthink.org blog https://www.jewthink.org/2020/07/29/jewish-art-where-are-you/
“In the Leak of Time: Anne Robinson” catalogue essay published for solo exhibition at APT Gallery, November 9th – 18th 2018
Anwar Jalal Shemza, Take 2: The British Landscape, Green Cardamom, pp. 1-4, Sept. 2010, published by Green Cardamom
“Rocket to the Moon, review of Kutlug Ataman” review of film in leading UK art magazine for Art Monthly, No 334, March 2010, P. 33
Garfield Rachel, Exiled Ink, text on Deniz Soezen, Issue 13, Summer 2010, pp. 6-8
Transmission Annual (eds.) Michael Corris, Sharon Kivland, Jasper Joseph-Lester, The Strangers, Artwords Press, 2010, pp. 162-173, (art work), review, ‘Modern Art Culture’ Francis Frascina (ed.), Routledge’, Art Monthly, p. 33
In Our World: New Photography in Britain text on Lucy Levine (ed.) Phillipo Maggia, Skira Photopraphy Italy, 2008, p 72,
“Radical Uncertainty and Elegaic Practices”, catalogue chapter, Aftershock: Conflict and Resolution in Contemporary Art,Sainsbury Centre for Visual Arts, catalogue essay, 2007, pp. 87-89
Avinash Chandra: A Reappraisal
catalogue essay for Chandra exhibition at Osbourne Samuel Fine Art, 2006, pp. 6-12
Future Forecast/Curated Spaces: Artists Strategies and Intervention, commissioned contributor to publication, ed. Manick Govinda, a-n The Artists Information Company, 2006
Garfield, Rachel, Axis Dialogue: new writing online ‘Working Through Theory: The Impact Of PhD Research On Art’, Issue 2 April – June 2006,
with Timberlake John [50:50], ‘In Place of Paralysis’, Out of Conflict: Catherine Elwes and Cornford and Cross, Artsway publications, artists catalogue, 2004, pp. 40-46
Out-Of-Place; Elia Alba and Cynthia Grieg, Catalogue essay, Focal Point Gallery, University of Hertfordshire Galleries Publication, 2003, pp.2-6
‘Oreet Ashery: Transgressing the Sacred’, in CD Rom: Alter Ego as catalogue for exhibition, curated by Wibke Behrens, 2002
The Women’s Press Diary 2002, five art pieces from the series ‘What Am I To You’ published in the diary, Women’s Press, 2002.
The Jewish Quarterly, ‘Oreet Ashery: Transgressing the Sacred’, No. 186, pp. 11-13
The Jewish Quarterly, ‘Ali G: Just Who Does He Think He Is’, winter 2000, Number 180, pp.69-72
everything magazine, “Interview with ‘City Racing’”, vol. 3 (4), pp. 2-8
everything magazine, book review “See Marx for Details”, vol. 3 D, p. 54
Experimental Film making and Punk: Feminist Audio Visual Culture in the the 1970s and 1980s
Bloomsbury Press, 2021.
‘Between Seeing and Knowing: Stephen Dwoskin’s Behindert and the Camera’s Caress’, Other Cinemas: Politics, Culture and British Experimental Film in the 1970s (edited by Sue Clayton and Laura Mulvey) IB Taurus, London and New York, pp 235-245, 2017